Monograph · Selected Works 2024—2026

Viewing Room · Exhibition Monograph

Paintings, Works on Paper & Sculpture

Monograph Archive · 2024—2026

Stillness Cast in Earth, Linen & Shadow

An intimate body of recent studio works examining how fired earth, raw unprimed linen, and gypsum plaster register time, temperature, and quiet spatial weight.


Cataloged Plates

01 — 07

Disciplines

Clay, Linen, Paper

Studios

Lagos · London

Illustrative design study of terracotta, plaster and wood forms. Placeholder, not artwork by Mayajay.
Pl. 01 — Vessel & Raw Plinth I

Terracotta, cast plaster & raw timber · 64 × 48 cm

2025

Selected Exhibition Plates

Weight, Void & Measured Light

Recent two- and three-dimensional studies examining how porous plaster and smoke-darkened clay hold silence inside an open room.

Cast gypsum plaster sculpture detail emerging from soft studio shadows
Pl. 02 — Study in Suspended Tension

Cast gypsum plaster on linen armature · 82 × 54 cm

2025

Hand-thrown raw terracotta and smoked charcoal pottery vessels stacked in studio daylight
Pl. 03 — Kiln Cohort (Red Earth & Carbon)

Smoke-fired terracotta & black clay · Variable dimensions

2024

Across ceramic and sculptural studies, every mark of firing or knife edge remains uncorrected—forming an honest topography of process rather than an illusion of finish.

Curatorial Thesis · The Studio Practice

“Form begins where material resists the hand—where dry earth holds a thumbprint, and quiet shadow teaches the eye to slow down.”

Rejecting synthetic sheen and hurried spectacle, the studio returns to three elemental gestures: unprimed Belgian linen dressed in ground earth, porous stoneware shaped without mechanical molds, and dense charcoal registered on cotton rag.

01 · Paintings on Raw Linen

Mineral earth pigments, marble dust, and cold-pressed oil on unprimed canvas.

02 · Works on Prepared Paper

Willow charcoal, sepia wash, and conté crayon pressed into deckle paper.

03 · Kiln & Plaster Objects

Hand-coiled terracotta, smoked stoneware, and carved gypsum relief forms.

Wood-fired stoneware jar with natural pale ash glaze on dark ground
Pl. 04 — Ash-Glazed Amphora

Wood-fired stoneware & feldspar ash glaze · 44 × 38 cm · 2024

Centerpiece · Works on Prepared Paper

Archival Plate 05

Atmospheric study of windswept trees in charcoal and warm umber on tinted paper
Pl. 05 — Canopy Study After Dusk

Raw umber pigment and compressed willow charcoal on ochre-sized cotton rag · 110 × 175 cm

Studio Archive · 2025

Relief & Works on Paper

Architecture of Light & Grain

Perforated geometric kiln-fired terracotta relief blocks in warm sunlight
Pl. 06 — Pierced Clay Lattice (Nine Modules)

Extruded & kiln-fired terracotta · 90 × 90 cm

2026

Minimalist landscape study in charcoal and warm mist on cream laid paper
Pl. 07 — Horizon Drift on Laid Paper

Conté crayon & charcoal on laid paper · 68 × 92 cm

2025

Catalogue Raisonné · Selected Archive

Index of Selected Works

Plates 01 — 07

No.

Work Title

Medium & Dimensions

Year

Availability

01

Vessel & Raw Plinth I

Terracotta, cast plaster, timber · 64 × 48 cm

2025

Available

02

Study in Suspended Tension

Cast gypsum plaster on linen armature · 82 × 54 cm

2025

Studio Hold

03

Kiln Cohort (Red Earth & Carbon)

Smoke-fired terracotta & black clay · Variable

2024

Available

04

Ash-Glazed Amphora

Wood-fired stoneware & feldspar glaze · 44 × 38 cm

2024

Private Collection

05

Canopy Study After Dusk

Raw umber & vine charcoal on cotton rag · 110 × 175 cm

2025

Available

06

Pierced Clay Lattice (Nine Modules)

Extruded & kiln-fired terracotta · 90 × 90 cm

2026

Commissionable

07

Horizon Drift on Laid Paper

Conté crayon & charcoal on laid paper · 68 × 92 cm

2025

Acquired

Private Viewing & Acquisitions

Request the 2026 Studio Dossier

Available by studio inquiry with high-resolution condition photographs, provenance notes, and private viewing scheduling in Lagos and London.